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Matt Reeves' The Batman stands as a definitive, unyielding reinterpretation of the Caped Crusader, shedding the bright spandex of typical superhero fare for a brooding, neo-noir detective thriller. Greig Fraser's masterful cinematography plunges Gotham City into a perpetual, rain-slicked twilight, crafting an atmospheric tableau that perfectly complements the film's gritty realism and thematic density. Robert Pattinson delivers a hauntingly vulnerable yet ferociously committed Bruce Wayne, a man consumed by inherited trauma and a nascent, often violent, vigilantism.
The film excels as a character study, dissecting the psychological underpinnings of its iconic figures. Paul Dano's Riddler is less a flamboyant trickster and more a chilling, ideologically driven domestic terrorist, echoing real-world anxieties and elevating the narrative beyond conventional villainy. Zoë Kravitz's Selina Kyle provides a nuanced counterpoint, embodying the moral ambiguities inherent in Gotham's underbelly. Reeves expertly weaves themes of corruption, societal decay, and the blurred lines between justice and vengeance, positioning The Batman not just as a blockbuster, but as a significant, introspective entry in the detective genre that deepens the mythology of its titular hero.
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