Fresh Fresh (2022)

Mimi Cave's directorial debut, 'Fresh' (2022), is a visceral cinematic shock, a bold genre-bending exercise that masterfully fuses psychological horror, thriller, and dark comedy. Eschewing conventional narrative arcs, Cave brilliantly transforms the modern dating scene into a chilling metaphor for consumerism, the objectification of women, and the insidious nature of male power dynamics.

Daisy Edgar-Jones delivers a nuanced performance as Noa, evolving seamlessly from a vulnerable, disillusioned young woman to a fiercely resilient survivor. Her formidable counterpart, Sebastian Stan as Steve, offers a performance that is both charismatically charming and utterly chilling, crafting a memorable and unsettling predator. The film's technical prowess is remarkable: from its initial vibrant palette gradually decaying into stark, ominous tones to its sharp sound design, every element meticulously builds an almost unbearable tension.

'Fresh' transcends mere entertainment, serving as a profound social commentary on female vulnerability within contemporary dating landscapes, offering a sharp critique on autonomy and resilience. It firmly establishes itself as a piece of 'elevated horror,' compelling audiences to confront the darkest facets of human nature and modern culture.