Bào Thai Quỷ Malicious (2018)

Michael Winnick's 'Malicious' attempts to weave a tale of supernatural horror rooted in grief and obsession. While not a groundbreaking entry in the genre, the film occasionally achieves moments of genuine unease, leveraging its sound design and atmospheric lighting to cultivate a pervasive sense of dread. Winnick delves into the trauma of a couple grappling with profound loss, inadvertently opening a portal to a malevolent entity. The narrative, though relying on familiar genre tropes, strives for psychological depth.

Bojana Novakovic delivers a compelling performance as the distraught wife, effectively conveying her descent into desperation and paranoia. Josh Stewart competently portrays the husband attempting to anchor their collapsing reality, while Delroy Lindo adds a grounding presence. However, the script occasionally falters, succumbing to predictable horror conventions that dilute its impact. Despite its narrative shortcomings, Michael Winnick demonstrates a grasp of horror aesthetics, making 'Malicious' a watchable, albeit conventional, entry into the supernatural horror subgenre. It stakes its claim within the crowded landscape of haunted house films, offering a tense experience for dedicated enthusiasts of the macabre, highlighting the psychological toll of otherworldly encounters.